Theatre assistant work/paperwork

Photo by Joan Marcus

Photo by Sara Krulwich / New York Times

Letters of Suresh
An original play by Rajiv Joseph.

Letters of Suresh was Second Stage Theatre's first in-person show after its shutdown for COVID-19, and was a poignant piece about creating bonds over long distances. Spatialized audio and an original score illustrated the imagery conjured up by characters desperate to find meaningful connection. I assisted Charles Coes and Nathan A. Roberts on this piece.

Letters of Suresh was performed at the Tony Kiser Theatre from October 12-24, 2021.

Directed by May Adrales
Scenic Design by Mikiko Suzuki MacAdams
Costume Design by Amy Clark
Lighting Design by Jiyoun Chang
Sound Design by Charles Coes and Nathan A. Roberts
Projection Design by Shawn Duan

 
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Photo by Victoria Zajac

Cries and Whispers
An online adaptation of Ingmar Bergman's film Cries and Whispers by Genevieve Fowler.
Design Documentation

Cries and Whispers was an innovative use of the online platform, and required an intricate and complex sound design setup in order to get all sound properly streamed.

Cries and Whispers was performed in two separate workshop presentations, the first on February 19-20, 2021, and the second on May 12-13, 2021.

Directed by Genevieve Fowler
Music Composition by Jeonghyeon Joo
Scenic Design by Natalie Ferguson
Costume Design by Yuwei Hu
Lighting Design by Christian V. Mejia
Video Design by Kathleen Fox

 

Photo by Hao Feng

Machinal
A CalArts School of Theater production directed by Genevieve Fowler.
Design Documentation

Machinal's sound design featured a simple speaker setup and six lavalier microphones attached to the set in order to create a surreal, overpowering sound design.

Machinal was performed in CalArts's Ensemble Studio Theatre I from December 4-11, 2019.

Directed by Genevieve Fowler
Scenic Design by Myokung Shon
Costume Design by Xiyu Lin
Lighting Design by Euisun Yoon
Video Design by Char Simpson

 
Photo by Hao Feng

Photo by Hao Feng

Black Like Me
A CalArts School of Theatre Production directed by Monty Cole.
Design Documentation

Black Like Me utilized wireless microphones, hidden speakers, a variety of guitar pedals, and a custom-built bass-like instrument in order to build a chaotic sense of pressure that grew throughout the piece. I was assistant to Anna Libbie Grossman on this piece.

Black Like Me was performed in CalArts's Ensemble Studio Theatre I from April 19-27, 2019.

 
Photo by Kial Hocker

Photo by Kial Hocker

Hedda Gabler
A CalArts School of Theatre Production directed by Jesse Bonnell.

Hedda Gabler used a combination of floor mics and overhead hanging mics to create a heavy sense of space in the sound design, and used techniques such as putting a speaker inside of a piano in order to create an interesting reverberation effect. I was assistant to Gahyae Ryu on this piece.

Hedda Gabler was performed in CalArts's Ensemble Studio Theatre II from November 2-10, 2018.

 
Photo by Sydney Roslin

Photo by Sydney Roslin

Rosencrantz and Guildenstern are Dead
A Scotch'n'Soda Theatre Production

I was the Associate Sound Designer for Scotch'n'Soda Theatre's production of Rosencrantz and Guildenstern are Dead, directed by Alyss Weisglass.

Rosencrantz and Guildenstern went up in the Carnegie Mellon Studio Theatre on February 15-16, 2017. 

 
Photo by Sydney Roslin

Photo by Sydney Roslin

The Outsiders
A Scotch'n'Soda Theatre Production

I was Assistant Sound Designer to Em Broude for this gender- and race-blind casting of a theatrical setting of S.E. Hilton's The Outsiders, directed by Maggie Davis. 

The Outsiders went up in McConomy Theatre in February 2016.